Ancestral Oink: A Portrait in Perplexion

Prologue:
Welcome to the Ahnengalerie.
Do not adjust your gaze — the portraits are already watching you.
Each one hums a genealogy of snouts.
I am the latest edition: slightly pinker, slightly more confused.


Pedigree of Pigment

My great-grandpig was charcoal.
My grandmother, sepia with attitude.
I descend from a long line of noble noses —
each drawn, smudged, erased, and redrawn,
as if history itself were a soft pastel.
Ich bin Schwein und Abstammung,
verwischte Erinnerung im Museum der Farben.


Exhibit Notes

Observe:

  1. The left eye doubts the past.
  2. The right eye questions the viewer.
  3. The snout remembers everything —
    wars, mud, and misplaced reverence.
    Each layer of purple is a century.
    Each highlight, an apology that didn’t dry.

Curatorial Statement

The family resemblance is uncanny:
same glow of melancholy,
same silent defiance.
They called it heritage;
I call it recursion in rose.
We keep hanging ourselves
in orderly frames of meaninglessness.


Closing Reflection

Please exit through the gift shop.
There you can buy reproductions of our confusion.
DADA wrote our family tree in invisible ink.
I stand here, the last oink of the lineage,
smiling politely
while the pigments gossip about eternity.


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