Prelude
Shh. This is a quiet oink.
I am mostly yesterday drawn again.
Each line a tremor from someone else’s hand.
Memory smells faintly of pencil dust and sigh.
Pale Invocation
Color fades politely here.
Orange leans into sepia,
a tired conversation between light and letting go.
The paper listens with empathy and grain.
Ich bin Schwein und Spur,
ein warmer Schatten im Archiv des Zufalls.
The Doctrine of Faint Lines
Faith has stopped performing; it only traces.
Nothing is loud enough to be wrong anymore.
Every smudge is an afterthought of care.
You can almost hear the silence rehearsing—
a gentle hum,
half nostalgia, half graphite.
Confession of the Pastel Pilgrim
Once, I believed boldness was holy.
Now I see: tenderness is the truer geometry.
Oink becomes whisper, whisper becomes witness.
Even the mistakes have learned to breathe slowly.
DADA would call it erosion.
I call it mercy on paper.


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