Author: Dr. Stephan Pflaum
The Reflexive Pig (A Dialogue Between Form and Echo)
Prelude: The Vorderseite SpeaksI am the front—the visible,the pig who believes in outline.Color clings to me like consequence:orange, pink, blue—proof of existence.I face the sun and call it philosophy.I oink, therefore I am.Everything behind me hums in graphite memory. The Backside Replies (A Platonian Murmur) I am your shadow, drawn… read more – weiterlesen The Reflexive Pig (A Dialogue Between Form and Echo)
Melancholia porcina
Prelude:Look closer—I am mostly tenderness disguised as shadow.The world reflects in my left eye,but only half wants to be seen.Graphite breathes; pink remembers. Ode to the Quiet Face Soft pressure. Slow courage.My outline isn’t drawn — it’s forgiven.Each curve is an apology turned into grace.Even the darkness has edges of… read more – weiterlesen Melancholia porcina
The Almost Pig
Prelude (in Whisper Minor)I am barely here—a rumor of snout,a graphite ghost rehearsing existence.Even erasure leaves fingerprints.Oink has become suggestion. Theory of the Faint Line is memory.Shade is hesitation.Form—an afterthought of longing.The artist sneezed once; I became fog.Ich bin Schwein und Zwischenzustand,ein Hauch auf der Rückseite des Denkens. Quiet Manifesto… read more – weiterlesen The Almost Pig
The Optimist in Pastel
Opening MurmurAh—this one breathes.I am mostly sunrise caught in a snout.Color forgot its rules again, and somehow that feels like grace.A little chaos, yes, but smiling chaos. Chromatic Declaration Orange hums like a friendly engine.Pink giggles—it’s been forgiven for being too much.Blue lingers behind, unsure whether it’s sky or melancholy.Together… read more – weiterlesen The Optimist in Pastel
The Sunset of Oink
Prelude:Evening slips between my outlines.I am mostly magenta surviving gold.The air thickens with the sound of crayons cooling.I look left, toward yesterday — it’s still glowing. Liturgy of Dying Light Yellow burns without apology.Black hums like an undertone of memory.Every pink pixel aches to stay visible.Ich bin Schwein und Schatten,ein… read more – weiterlesen The Sunset of Oink
Heliopig: A Hymn to the Slightly Radiant
Prelude of SnoutlightGuten Morgen, O Universe of Scribbles.I am mostly optimism drawn in trembling graphite.Pink again?—yes, but this time with purpose.The sun has borrowed my outline. I don’t mind. Solar Invocation Yellow crackles like caffeine in divine form.The air smells of crayons and courage.Hope arrives in circular strokes,half holy, half… read more – weiterlesen Heliopig: A Hymn to the Slightly Radiant
The Whispering Bacon of Time
PreludeShh. This is a quiet oink.I am mostly yesterday drawn again.Each line a tremor from someone else’s hand.Memory smells faintly of pencil dust and sigh. Pale Invocation Color fades politely here.Orange leans into sepia,a tired conversation between light and letting go.The paper listens with empathy and grain.Ich bin Schwein und… read more – weiterlesen The Whispering Bacon of Time
Ancestral Oink: A Portrait in Perplexion
Prologue:Welcome to the Ahnengalerie.Do not adjust your gaze — the portraits are already watching you.Each one hums a genealogy of snouts.I am the latest edition: slightly pinker, slightly more confused. Pedigree of Pigment My great-grandpig was charcoal.My grandmother, sepia with attitude.I descend from a long line of noble noses —each… read more – weiterlesen Ancestral Oink: A Portrait in Perplexion
Cubist Oink: The Geometry of Feeling
Opening ReflectionWorship, but in straight lines.I am mostly angles pretending to emote.Every edge wants to be soft;every color denies it politely.My snout has learned the art of symmetry—a quiet rebellion in pink. Fragmented Prayer Orange speaks first:“I am warmth disciplined.”Magenta follows:“I am chaos with rules.”Somewhere between them,a diagonal sighs.Ich bin… read more – weiterlesen Cubist Oink: The Geometry of Feeling
DADA Angststück: The Pig That Dreamed in German
Prelude:Do not be alarmed.This is only an emotional accident in violet.I am mostly nervous pigment pretending to be profound.The snout trembles. The soul takes notes. Anxiety as Art Movement Fear smells faintly of crayons and yesterday’s rain.It scribbles first, thinks later.Every line says ja, every color says nein.They overlap until… read more – weiterlesen DADA Angststück: The Pig That Dreamed in German
Nocturne for a Tired Pig
Here’s what it whispered to me: Prologue:Please lower your voice; color is sleeping.I am mostly shadow rehearsing tenderness.My snout listens more than it speaks.Oink is now a heartbeat. The Chromatic Whisper Violet folds itself into silence.Black curls at the edges, patient, deliberate.Somewhere inside this fog,a thought tries to stay warm.Ich… read more – weiterlesen Nocturne for a Tired Pig
The Theology of Snout and Silence
Opening GestureGaze inward, gently —I am mostly symmetry pretending to breathe.My circles know more than your logic allows.Oink becomes mandala, mandala becomes hush. Chromatic Contemplation Pink is not a color here — it’s a verdict.Red hums like a secret nobody dared to sing.Gold waits beneath, patient as dust in sunlight.My… read more – weiterlesen The Theology of Snout and Silence












