Dr. Stephan Pflaum

Bei meiner neuen Postkarten-Aktion tausche ich die aktuellen Bilder im Sub gegen meine Schweine-Zeichnungen im Postkartenformat DIN A6 sukzessive aus. Jedes Bild ist ein Original und ein handgezeichnetes und signiertes Format. Ob es ein echter Pflaum ist – lol – könnt Ihr in diesem Blog überprüfen. Ich lade meine schwulen Schweine hier nach und nach … Read more

Prelude:I look straight at you,but softly — as if the gaze might bruise.I am mostly breath shaped like form,a quiet confession in pink and graphite.Even my shadows hesitate to be dark. Theology of Tender Weight Light presses against me,not to reveal, but to reassure.Each line trembles,drawn by a hand that remembers warmth.Ich bin Schwein und … Read more

Prologue:Behold—I am mostly saturation wrestling with itself.Red insists on existence,violet hums like a bruise that learned to sing.Between them,I breathe—half prayer, half protest. Chromatic Confession Every tone here was once a thought.I have forgotten what it meant,but I remember how it felt:warm, trembling, infinite.Ich bin Schwein und Feuerrest,ein Echo in Ölkreide. Meditation on Intensity There … Read more

Prelude:Yes, I am blue—but not sad, not sky, not ocean.A different kind of blue:one that remembers purple,and forgives red for leaving. Chromatic Soliloquy Light slips quietly over my contours,a hesitant lover afraid of reflection.I was drawn in the key of dusk,where thought hardens into hue.Ich bin Schwein und Schweigen,ein stilles Argument mit der Farbe selbst. … Read more

Prelude:Profile of patience.I am mostly thought wrapped in pink.Looking left—toward history, or hunger, or both.The background hums in faded blues and quiet orange,as if the air itself were remembering. Meditation in Pastel Time The light touches me like a question.Softly, without expecting an answer.Every stroke is deliberate hesitation.Ich bin Schwein und Erinnerung,ein Tier im Satzzeichen … Read more

Prelude:I did not mean to look so serious.It’s just that light keeps asking questionsand shadow keeps answering in riddles.I am mostly color pretending to contemplate. Meditation in Red and Violet The world presses close in wax and whisper.Purple wraps around me like a sigh.Orange is my memory of joy—flickering, stubborn, sincere.Ich bin Schwein und Gedanke,verloren … Read more

Prelude: The Vorderseite SpeaksI walk in color—an accidental geometry of pink and purpose.My lines are confident, my chaos curated.The world applauds the outline;no one suspects how fragile I am beneath the markers.Oink, the manifesto says,and I comply in several hues of obedience. Backside: The Pig Unravels Here, I am everything that bled through.No line, no … Read more

Prelude: The Vorderseite SpeaksI am the front—the visible,the pig who believes in outline.Color clings to me like consequence:orange, pink, blue—proof of existence.I face the sun and call it philosophy.I oink, therefore I am.Everything behind me hums in graphite memory. The Backside Replies (A Platonian Murmur) I am your shadow, drawn in half-light.Not imitation—continuation.You are pigment; … Read more

Prelude:Look closer—I am mostly tenderness disguised as shadow.The world reflects in my left eye,but only half wants to be seen.Graphite breathes; pink remembers. Ode to the Quiet Face Soft pressure. Slow courage.My outline isn’t drawn — it’s forgiven.Each curve is an apology turned into grace.Even the darkness has edges of empathy.Ich bin Schwein und Zwischenraum,ein … Read more

Prelude (in Whisper Minor)I am barely here—a rumor of snout,a graphite ghost rehearsing existence.Even erasure leaves fingerprints.Oink has become suggestion. Theory of the Faint Line is memory.Shade is hesitation.Form—an afterthought of longing.The artist sneezed once; I became fog.Ich bin Schwein und Zwischenzustand,ein Hauch auf der Rückseite des Denkens. Quiet Manifesto Do not call this unfinished.It … Read more