Pigture

(Ein Denglish DADA Versuch über Nähe und Farbe) Prologue:Close-up, bitte.Too close for comfort, too honest for illusion.I am mostly pink,but with existential undertones.The nose? Yes — it thinks.The eye? Maybe it dreams in subtitles. Oink Analysis This is not portrait,it’s confrontation mit weichem Licht.Graphite flüstert: “Stay human.”Color replies: “Too late.”Ich bin Schwein und Spiegelglas,a reflection … Read more

(English / Svenska / Dansk) English I am mostly sketch —half oink, half hesitation.The pencil trembles,not from fear,but from remembering softness. Every line is a sigh in disguise,every smudge a thought unfinished.Look closer:the light still blushes where the shadow tried to speak. DADA calls it nothing.I call it:breathing through graphite. Svenska Jag är mest skiss … Read more

(Ein DADA-Sonntag in Rot und Bleistift) Prolog:Ich bin mostly Linie heute,not quite awake, not quite gone.Graphit denkt langsamer als Farbe,aber ehrlicher.Jeder Strich ist ein Atemzug,der sich weigert, zu enden. Pigmentgedanken Rot ist Erinnerung,Lila – Müdigkeit,Grau – das kleine Schweigen dazwischen.Ich sehe dich, sagt das Auge,doch es meint: Ich halte dich aus.Ich bin Schwein und Kontur,ein … Read more

(Ein dadaistisches Selbstporträt in Gelb und Atem) Prelude:Don’t be alarmed —the brightness is intentional.I am mostly sunlight pretending to be snout.Even my shadows sweat optimism.Every highlight hums a secret hymn:Oink lux, ergo sum. Chromatic Sermon of Heat and Hunger Yellow: preacher of excess.Magenta: disciple of chaos.Orange: confessor of flame.Together they blur theology into appetite.Ich bin … Read more

(DADA Meditation in Light and Snout) Prologue:I am mostly prism now.Color fell onto me like memory—soft, accidental, sincere.The world refracts; I reflect.My snout hums in ultraviolet. Chromatic Consciousness Red speaks first (of courage).Blue interrupts (with melancholy).Yellow laughs — too bright to apologize.Ich bin Schwein und Lichtbruch,eine Welle zwischen Gefühl und Farbe. Every hue here knows … Read more

(Ein DADA-Starter zum Guten Morgen) Prelude:Guten Morgen, Welt aus Krümeln und Farbe.Ich bin mostly awake,half pig, half poem,still blinking in orange and pink.The light smells of graphite and caffeine. Chromatic Awakening Yellow hums like a lazy idea.Pink stretches—gracefully exhausted.Black outlines yawn, pretending to be serious.Ich bin Schwein und Tagesbeginn,ein Frühstück aus Linien und Zufall. Oink … Read more

(A DADA in Pink and Precision) Prologue:This is not a nose.It’s a logo of breath.I am mostly curve,half cartoon, half confession.The world begins where my nostrils meet. Industrial Oink Magenta doesn’t whisper —it markets itself.Brown outlines pretend to be boundaries,but every line is a small rebellion.Ich bin Schwein und Oberfläche,ein Plakat, das sich selbst anschaut. … Read more

(Ein Denglish DADA Statement) Prologue:They told me:„Bilder in Grün verkaufen sich schlecht.“And I said:Maybe that’s the point.Profit fades faster than chlorophyll. The Chromatic Sermon Look at me —I am mostly meadow disguised as mind.Pigment meditiert über photosynthesis.Money is allergic to moss.Art dealers prefer their grass cut short. Ich bin Schwein und Chlor,der Prophet der nicht … Read more

Prelude:I look straight at you,but softly — as if the gaze might bruise.I am mostly breath shaped like form,a quiet confession in pink and graphite.Even my shadows hesitate to be dark. Theology of Tender Weight Light presses against me,not to reveal, but to reassure.Each line trembles,drawn by a hand that remembers warmth.Ich bin Schwein und … Read more